The American-Jewish philosopher Berel Lang has left an indelible impression on an unusually broad range of fields that few scholars can rival. From his earliest innovations in philosophy and meta-philosophy, to his ground-breaking work on representation, historical writing, and art after Auschwitz, he has contributed original and penetrating insights to the philosophical, literary, and historical debates on ethics, art, and the representation of the Nazi Genocide.

In honor of Berel Langs five decades of scholarly and philosophical contributions, the editors ofEthics, Art and Representations of the Holocaust invited seventeen eminent scholars from around the world to discuss Langs impact on their own research and to reflect on how the Nazi genocide continues to resonate in contemporary debates about antisemitism, commemoration and poetic representations. Resisting what Alvin Rosenfeld warned as the end of the Holocaust, the essays in this collection signal the Holocaust as an event without closure, of enduring resonance to new generations of scholars of genocide, Jewish studies, and philosophy.

Readers will find original and provocative essays on topics as diverse as Nietzsches reputed Nazi leanings, Jewish anti-apartheid activists in South Africa, wartime rescue in Poland, philosophical responses to the Holocaust, hidden diaries in the Kovno Ghetto, and analyses of reactions to trauma in classic literary works by Bernhard Schlink, Sylvia Plath, and Derek Walcott.

Simone Gigliotti is a senior lecturer in the History Programme, Victoria University, Wellington, New Zealand.
Jacob Golomb is Ahad Ha-am Professor of philosophy at the Hebrew University of Jerusalem and the philosophical editor of the Hebrew University Magnes Press.
Caroline Steinberg Gould is Professor of Philosophy at Florida Atlantic University, Boca Raton, where she established the Classical Studies Program and was instrumental in founding the Jewish Studies Program.

Table of contents
Foreword: As It Was (or at least, As It Might Have Been), by Berel Lang
Acknowledgments
Introduction
Part I: Art in Theory and Practice
1. Morality and Narrative Unreliability: The Danger of Schlink'sDer Vorleser,by Caroline S. Gould
2. Body Double: Portraits, Memory and the Face of Evil, by Shelley Hornstein
3. Ethik und Aesthetik sind Eins: Poetic Philosophy on Auschwitz, by Sarah Liu
4. Responding to the Holocaust: Fackenheim, Levinas, Cavell, by Michael Morgan
5. Philosophical Fancies: Four Fantastic Fables, by Howard Needler
Part II: The Particular and the Universal: A Narrow Bridge
6. "On a 'Nietzschean' Dispute between Ahad Ha'am and Berdichevski, by Jacob Golomb
7. Each of Us a Nation: Rethinking Nationalisms, by Bert Nepaulsingh
8. Anti-apartheid exile: South African Jewish activists in Britain, 1948-1989, by Susan Dabney Pennybacker
9. Speaking a Word for Nature: Thoreaus Philosophical Saunter, by Gary Shapiro
10. Nietzsche, half a Nazi? A Response to Crane Brinton, by Weaver Santaniello
11. Utopia Revisited, and Discarded: Post-Metaphoric Reflections on Israel, by Steven J. Zipperstein
Part III: The Holocaust in History and Representation
12. Memory, Conscience, and the Moral Weight of Holocaust Representation, by Victoria Aarons
13. Vacating the homogeneity of the Socio-political: Sylvia Plath and the disruption of confessional poetry, by Michael Mack
14. Daily Life of Polish Women, Dedicated Rescuers of Jews During and After the Second World War, by Joanna Beata Michlic
15. Through the Lens of a Contemporary Historian: The History of the Jewish Police in Kovno Ghetto Written in the Ghetto (1943), by Dalia Ofer
16. The Philosophers Holocaust, by Elhanan Yakira17. The representation of death in exhibitions: the case of the State Museum at Majdanek, byAnna Ziebinska-Witek
Appendix I: Berel Lang's Comprehensive Bibliography
Index
About the Contributors